“The Heart of Madness”
from the Historia de Don Quichotte de la Mancha suite

Original Limited Edition Cooperative Intaglio Etching + Aquatint + Color from the original sketches on Japon paper by Modern Master Salvador Dali. This piece can be found in “The Official Catalog of The Graphic Works of Salvador Dali” by Albert Field, on page 145 image E and in the “Annual Print Price Guide To The Graphic
Works of Salvador Dali” by Bruce Hochman 2016 edition, page 157.

Hand signed by Salvador Dali
Image Size: 18″ x 16″
Paper Size: 22.50″ x 30″ JAPON paper
Frame Size 35″ x 30″
Custom frame
BLIND STAMP DALART N.V.
Edition Number: 119/150
Tirage: 695
Condition : See Pictures
Certificate of Authenticity & appraisal is included

Salvador Dali

1904-1989, Spain.

Dali attended the Academy of Fine Arts in Madrid.He devoured philosophical works and Freud, and he discovered Cubism, Futurism and Metaphysical Arts in magazines.He had one-man shows in Barcelona in 1925 and in Madrid in 1926.He harmonized the example of Gris, de Chirico and Carra with the refined methods of the Old Masters.Sometime during 1928 Dali made a brief excursion to Paris, where he met Picasso.Andre Breton, Surrealism’s central figure, appointed him an official Surrealist.Within a short time Dali was to become the movement’s most spectacular exponent.In his art he has succeeded in achieving the synthesis of what Andre Breton called a retrograde craft with the most extreme inventions of modern culture.His graphic oeuvre comprises etchings and lithographs, which have evolved parallel to his paintings.
Dali illustrated Dante’s Divine Comedy with 101 wood engravings.The poem recounts the tale of the poet’s journey through Hell and Purgatory guided by Virgil.After repenting his faults, he is joined by Beatrice for the final leg of the journey through Paradise to receive a glimpse of God.Dali often equated Gala, his wife and inspiration, with Dante’s Beatrice.Like Dali, Dante’s symbolism is complex but highly rational.Both men had a keen knowledge of scientific studies in geology, optics and mathematics.Dali’s Divine Comedy will go down in the history of art as a work of the artist’s prime years, the early 1950’s.

This is a 1945 French couture fashion print that dates to 1945. It originally appeared in a French fashion magazine that catered to the most stylish women in Paris. It is NOT a recent reproduction print. It was illustrated by Pierre Mourgue (1890-1969)who was a well acclaimed fashion illustrator who portrayed a sense of demure elegance and subtlety in his works. He worked for the influential Gazette du Bon Ton in the 1920s and later for French Vogue, Le Femme Chic and Femina magazines. He illustrated numerous front covers to these magazines and worked with Dior, Balmain, Balenciaga, Givenchy and the leading department stores in Paris. This design is by the iconic Balenciaga. It exudes a wonderful sense of elegance and flair with its tiered bouffant style evening dress cinched at the waist with a slender bodice and a long dramatic ribbon knotted tie. Note the painterly illustration done in soft rich neutral and champagne tones. Perfect for today’s fashionista or vintage fashion collector. This is a RARE image in excellent condition measuring 8.25 x 11 inches. comes matted in a white 16 x 20 custom mat that works with a standards size frame.

Shepard Fairey
“She’s Not a Planet, She’s One of Us”.

This is an edition of 450, measures 18x24in, pencil signed, numbered and framed.
This was only to be available in person on Saturday, July 9th at 3pm at the Wooster Street Social Club, located at 43 Wooster Street, New York.

This print pays homage to one of the twelve panels created for the “A Positive Thought Cannot Be Denied” project, which was done in May of 2010, with Shepard Fairey and over 100 teens from CityKids. The collaboration resulted in twelve 8 x 4 foot panels that address issues in education, environmental sustainability, teen violence, and social justice.

Shepard Fairey
born: 1950
“Duality of Humanity 5”
Screenprint in colors, 2009, signed in pencil, dated and numbered 230/450, on wove paper, published by Obey Giant, Los Angeles, framed
sheet size: 457 by 610 mm 18 by 24 in

From the series “The Duality of Humanity”. It is a striking example of his work showing incredible visual detail as well as expressing an emotional message through what the artist references as “reverse propaganda”. Fairey used this series to express the parallels of warfare of the past and present and the ever present dichotomy of the human condition, “human struggle between good and bad, hope and fear.”
– https://obeygiant.com/duality-of-humanity-solo-exhibition/

This piece is a great addition to any collection and is a great example of Fairey’s work as it has evolved and grown over the years.

FUN! Rare pair! Perfect for the Chanel #5 lover. This is a set of 3 French perfume advertisement prints that dates to 1999. Originally they were advertisement prints from a French magazine of the time. Purchased by us in Paris. They showcase the Chanel No.5 atomizer for the woman who won’t leave home without her perfume. This image was promoted for the woman on the go. The prints have dynamic graphic imagery with the atomizer, the #5, the shopping tote and the iconic Chanel logo all done in fabulous contrasting colors of fuschia, yellow, blue, green, red etc. color. Note the wonderful sheen of the prints. Pristine condition. These prints had limited circulation, specific to the time, and are very difficult to find with the passage of time. The prints make great bathroom décor. Great for today’s fashionista. Great gift idea. 9 x 10.75 inches in size. Each comes matted in a 16 x 20 inch white custom mat which works with a standard size frame. They are priced as a set of 3 matted prints. (If you are interested in only one print or set of 2 prints, message us for pricing/shipping.)

Pablo Picasso (after)
“Personnages Masqués Et Femmes Oiseau”
“Masked Figures and Bird Woman”, From the Suite Vollard – Lithograph, Edition of 1200, Printed Signature

Pablo Picasso, “Vollard Suite” (after*).

– Lithograph of 1200 copies
– Edition: 470/1200
– Edition SPADEM
– Sheet size: 32 x 42 cm
– Total size: 40 x 50 cm

Numbered in pencil, printed signature, test mark in lower left corner*.

The 100 original illustrations date back to 1930-1937, when Picasso drew the complete series, commissioned by Vollard, the art dealer.
Acid-free, museum quality, framed.
Arches paper cut by hand.
S.P.A.D.E.M., Paris, 1973.

* Sometimes, the artist drew a mark or figure on the edge of the stone or litho plate to test how the acid would react. This mark was usually destroyed before printing, but sometimes remained, not just on the test print but on the entire print series. This is a case in point.

Pablo Ruiz y Picasso, more simply known as Pablo Picasso (Malaga, October 25th, 1881 – Mougins, April 8th, 1973), was a Spanish painter and sculptor, and one of the most influential of the 20th century.

A crucial intersection between 19th century tradition and contemporary art, Picasso was an innovative and versatile artist who left an indelible mark on the history of art as the founder – together with Georges Braque – of Cubism. Following a rather tormented childhood – which is clearly expressed in his paintings from the so-called blue and pink periods – he shot to fame in the 1920s; his universally-renowned works include “Les demoiselles d’Avignon” (1907) and “Guernica” (1937).

* the term after means a graphic work created after the artist’s death using an original plate.

Framed limited edition (“7/75” ) framed etching in colors by famous Latin American artist, Rufino Tamayo (Mexico 1899-1991). Created in 1976. Signed in crayon lower right, numbered 7/75 in crayon lower left, framed. Pereda 193. Titled “Personaje Blanco”.Impressively framed, floated approximately one inch from the back board in a 4-inch deep frame.

Height 29.62 in. x Width 22.25 in. (sight)
Height 39.25 in. x Width 31.37 in. (frame)

Rufino Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences. His signed and numbered limited edition prints are immensely popular. They may be found in major collections and museums throughout the world.

We combine shipping whenever feasible

The Illiterate (Green and Violet)
Joan Miro, Spanish (1893–1983)
Date: circa 1972
Offset Lithograph, signed in plate
Image Size: 10.25 x 4.25 inches
Size: 14 x 9.5 in. (35.56 x 24.13 cm)
Frame Size: 20 x 17 inches

A framed Marc Chagall (1887-1985) “Les Soucis” giclee print with facsimile signature depicting bright colorful flowers, and a red female figure. The print has been professionally framed in a gold finish moulding. The certificate of authenticity is included and attached to the back of the frame (see photos for reference).

This pencil signed and numbered (47 of 175) print titled “Botany Lesson” by Leonor Fini (1906-1996), offers a mesmerizing glimpse into the surreal and enigmatic world of this visionary artist. Fini, celebrated for her provocative and dreamlike creations, is known for pushing the boundaries of artistic expression.

In “Botany Lesson,” Fini’s distinctive style is on full display. The artwork combines elements of fantasy, symbolism, and the human form to create a captivating narrative that engages the viewer’s imagination. Fini’s exploration of themes such as identity, sexuality, and the subconscious invites contemplation and interpretation.

The print has been professionally framed in a gold finish moulding with a tan color double mat board.