“The Heart of Madness”
from the Historia de Don Quichotte de la Mancha suite

Original Limited Edition Cooperative Intaglio Etching + Aquatint + Color from the original sketches on Japon paper by Modern Master Salvador Dali. This piece can be found in “The Official Catalog of The Graphic Works of Salvador Dali” by Albert Field, on page 145 image E and in the “Annual Print Price Guide To The Graphic
Works of Salvador Dali” by Bruce Hochman 2016 edition, page 157.

Hand signed by Salvador Dali
Image Size: 18″ x 16″
Paper Size: 22.50″ x 30″ JAPON paper
Frame Size 35″ x 30″
Custom frame
BLIND STAMP DALART N.V.
Edition Number: 119/150
Tirage: 695
Condition : See Pictures
Certificate of Authenticity & appraisal is included

Salvador Dali

1904-1989, Spain.

Dali attended the Academy of Fine Arts in Madrid.He devoured philosophical works and Freud, and he discovered Cubism, Futurism and Metaphysical Arts in magazines.He had one-man shows in Barcelona in 1925 and in Madrid in 1926.He harmonized the example of Gris, de Chirico and Carra with the refined methods of the Old Masters.Sometime during 1928 Dali made a brief excursion to Paris, where he met Picasso.Andre Breton, Surrealism’s central figure, appointed him an official Surrealist.Within a short time Dali was to become the movement’s most spectacular exponent.In his art he has succeeded in achieving the synthesis of what Andre Breton called a retrograde craft with the most extreme inventions of modern culture.His graphic oeuvre comprises etchings and lithographs, which have evolved parallel to his paintings.
Dali illustrated Dante’s Divine Comedy with 101 wood engravings.The poem recounts the tale of the poet’s journey through Hell and Purgatory guided by Virgil.After repenting his faults, he is joined by Beatrice for the final leg of the journey through Paradise to receive a glimpse of God.Dali often equated Gala, his wife and inspiration, with Dante’s Beatrice.Like Dali, Dante’s symbolism is complex but highly rational.Both men had a keen knowledge of scientific studies in geology, optics and mathematics.Dali’s Divine Comedy will go down in the history of art as a work of the artist’s prime years, the early 1950’s.

Shepard Fairey
“She’s Not a Planet, She’s One of Us”.

This is an edition of 450, measures 18x24in, pencil signed, numbered and framed.
This was only to be available in person on Saturday, July 9th at 3pm at the Wooster Street Social Club, located at 43 Wooster Street, New York.

This print pays homage to one of the twelve panels created for the “A Positive Thought Cannot Be Denied” project, which was done in May of 2010, with Shepard Fairey and over 100 teens from CityKids. The collaboration resulted in twelve 8 x 4 foot panels that address issues in education, environmental sustainability, teen violence, and social justice.

Shepard Fairey
born: 1950
“Duality of Humanity 5”
Screenprint in colors, 2009, signed in pencil, dated and numbered 230/450, on wove paper, published by Obey Giant, Los Angeles, framed
sheet size: 457 by 610 mm 18 by 24 in

From the series “The Duality of Humanity”. It is a striking example of his work showing incredible visual detail as well as expressing an emotional message through what the artist references as “reverse propaganda”. Fairey used this series to express the parallels of warfare of the past and present and the ever present dichotomy of the human condition, “human struggle between good and bad, hope and fear.”
– https://obeygiant.com/duality-of-humanity-solo-exhibition/

This piece is a great addition to any collection and is a great example of Fairey’s work as it has evolved and grown over the years.

Framed limited edition (“7/75” ) framed etching in colors by famous Latin American artist, Rufino Tamayo (Mexico 1899-1991). Created in 1976. Signed in crayon lower right, numbered 7/75 in crayon lower left, framed. Pereda 193. Titled “Personaje Blanco”.Impressively framed, floated approximately one inch from the back board in a 4-inch deep frame.

Height 29.62 in. x Width 22.25 in. (sight)
Height 39.25 in. x Width 31.37 in. (frame)

Rufino Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences. His signed and numbered limited edition prints are immensely popular. They may be found in major collections and museums throughout the world.

We combine shipping whenever feasible

This pencil signed and numbered (47 of 175) print titled “Botany Lesson” by Leonor Fini (1906-1996), offers a mesmerizing glimpse into the surreal and enigmatic world of this visionary artist. Fini, celebrated for her provocative and dreamlike creations, is known for pushing the boundaries of artistic expression.

In “Botany Lesson,” Fini’s distinctive style is on full display. The artwork combines elements of fantasy, symbolism, and the human form to create a captivating narrative that engages the viewer’s imagination. Fini’s exploration of themes such as identity, sexuality, and the subconscious invites contemplation and interpretation.

The print has been professionally framed in a gold finish moulding with a tan color double mat board.

This mid-late 20th century linoleum block print dove study is by Chicago-based painter, photographer, and printmaker Barbara Lewis (1925-2008). Lewis studied at the Art Institute of Chicago (1943), University of Illinois at Chicago (1967-70), and the IIT Institute of Design (MFA in Printmaking, 1970-72). Through her mixed-media compositions, she explored Abstract Expressionism and Pop Art, often using imagery of Chicago and her travels to Europe and Northern Africa.

Mid-Late 20th Century
Linoleum Block Print on Paper
6.75″x5.75″ unframed

Signed and titled on the bottom. Excellent vintage condition.

This late 20th century linoleum block print still life is by Chicago-based painter, photographer, and printmaker Barbara Lewis (1925-2008). Lewis studied at the Art Institute of Chicago (1943), University of Illinois at Chicago (1967-70), and the IIT Institute of Design (MFA in Printmaking, 1970-72). Through her mixed-media compositions, she explored Abstract Expressionism and Pop Art, often using imagery of Chicago and her travels to Europe and Northern Africa.

Late 20th Century
Linoleum Block Print on Paper
7.25″x9.5″ unframed

Signed on the lower right. Good vintage condition with torn edges

Lithograph No. XX, 102nd stylus art election 1944
signed in the stone
in good condition

Vintage Abstract Postmodern Collagraph/Etching, Signed (c.1980). Titled “Spectra Series #20B” in pencil at the bottom. This is a collagraph (a form of etching where the print is a dimensional/sculptural form on paper). This is not part of an edition rather it’s a unique print. Signed in the lower right corner. In good condition with soft handling marks along the edges of the paper. This is a vintage print. Unframed.

Size: 33.75 x 27.25 in

Depicting a horse and a castle in the background, this etching by Japanese artist Akio Yamao (1933-current) was originally sold by Marsan Ltd. in the 80s, and was mis-titled “Soh”. The kanji translated means idea or think. The miniature scale etching is pencil signed and dated by the artist and is numbered 46/50. The frame has a black patina silver paint finish.