Round coffee table in national walnut Calligaris Symbol (with slight defect on the support surface) MEASURES Height 50cm Diameter 50cm

Round coffee table, origin Denmark, 1930s
It is characterized by a simple, synthetic form – Art Deco.
Made of wood, beech wood legs, top and shelf
veneered with oak wood.
Condition:: good-very good.
The table has certainly undergone renovations and has been replenished
veneer deficiencies, the top was cleaned – sanded and preserved.
It has been refreshed on our part, has a local patina, delicate abrasions,
delicate local cavities – almost not noticeable.
Overall, the table looks nice – an atmospheric piece of furniture.
Dimensions;
– height 48.5 cm
– width 63 cm
– main 63 cm
– weight 8 kg

A wooden round topped coffee table which lengthens to a small dining table.

Minimalist, sleek coffee table from the seventies. In addition to its original function as a coffee table, it can also be used as a large plant table.

The table was custom made by a furniture maker and has a base of wood, which is covered with a white formica. Formica is a hard top layer that is easy to maintain, moisture-proof and almost impervious to stains. The edges of the table have a dark line, which creates a beautiful interplay of lines in combination with the sleek design.
The thick tabletop is supported by two rectangular blocks.

The table is in a neat used condition, has been carefully cleaned by us and can be used immediately.

Dimensions
Height 35.5 cm
Depth 80.5 cm
Length 140.5cm

Pair of Lotus armchairs is an elegant piece of design furniture manufactured by Ico and Luisa Parisi in the mid-20th Century Rare pair of armchairs model Lotus realized by the designer Ico Parisi for his editor MIM Roma. Black Metal chrome structure and yellow leather seat. MIM label on the armchairs. Ico Parisi (Palermo, 1916 – Como, 1996) was an Italian architect and designer, considered as one of the most important figures of the 20th century design. His activity, characterized by continuous experimentation, was a tireless research through architecture, art and design. The crucial encounters with Bruno Munari, Lucio Fontana and Fausto Melotti deeply mark his life and work. Around the 1950s, he founded, with his wife Luisa Aiani, the studio La Ruera which will cease its activity in 1995. Parisi won the Gold Medal at the 10th Milan Triennale with his work Pavilion Soggiorno.

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